A Soft Knee Uses Which Two Controls of a Compressor

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As soon as the signal reaches the threshold it gets fully compressed. Compression usually reduces the level of a signal.

What S Knee On A Compressor Explained Quickly

Or turn the output level down if its clipping.

. As the level gets louder and louder it reaches a level where it is finally reaching the power of compression that is set by the Ratio control. Experiment with varied Knee and Attack combos for fascinating mix results and sounds. The attack-knob defines how fast the compressor reacts to the audio signal.

This combined with a dual release time allows program density to increase as the input signal increases. Soft knee values will end in an extra homogenous and refined sound of your mix components whereas Hard Knee values will make the sound of your compression extra obvious. As you can see in the diagram a soft knee allows for a smoother and more gradual compression than a hard knee A soft knee allows for a smoother and more gradual compression than a hard knee Attack Time.

Compression threshold attack release and compression ratio are controlled from panel controls. In some situations the compression becomes very easy to hear. The CLX-52 Peak CompressorLimiter is a two-channel universal peak-sensitive automatic gain control AGC device with plenty to offer any live sound or studio rig.

A hard-knee threshold forces the compressor to immediately clamp down on signals above the threshold limit. Vocals Guitars Bass Guitar. Use the makeup gain to bring the signal level back up after compression occurs.

So there you go. Threshold Ratio Attack and Release are. A Hard knee is the opposite.

Makeup gain controls the level of the signal leaving the compressor. In normal or hard knee compression when the signal reaches the threshold the unit immediately begins to compress at whatever ratio is set. A soft knee will sound smoother because the compression doesnt begin as quickly while a hard knee will sound more dramatic.

With the soft-knee control turned on the compressor doesnt simply and immediately kick-in at the level set by the Threshold control it merely starts to work. The envelope controls how quickly the transfer shaping responds to input variations. It sounds more natural especially when you are dealing with higher compression ratios like 41 etc.

Soft knee is when the compressor pedal slowly begins compressing the signal whereas hard knee is when the compression pedal kicks in really quickly. But any compressor that has a knee control would be suitable. Set a soft knee however and the signal will start to be compressed at a low ratio as it approaches the threshold level then at a higher and higher ratio as it crosses the threshold eventually reaching the full ratio that you have set.

For a smoother and more musical handling of compression you can set a soft knee where compression turns on gradually as signals approach the threshold and then pass it. A soft knee is when you make the transition smooth even if in the end the compression is really high. This compressorlimiter uses an infinite soft-knee characteristic and timing based on compression ratio.

With hard-knee compression the gain reduction applied to the signal occurs as soon as the signal exceeds the level set by the threshold. This display shows controls for a separate Compressor and Limiter to allow for two stages of dynamics control. There are two types of knee.

If the angle is very steep that means the compressor clamps down on the signal very quickly and hard and the knee in the graph looks very steep almost like the knee of someone sitting upright. The flexible GMS-1310MU CompressorLimiter module is a feed-forward compressor that uses a low distortion Blackmer gain cell for level control driven by a true RMS level detection circuit. A type of compression where the onset of compression is gradual.

The knee is how smooth the angle changes between the 11 below the threshold and the chosen ratio above the threshold. Meanwhile the hard knee means the reduction happens at once with a sharp corner starting from when the signal approaches the threshold and all the way on. There is a bend in the line making the compression gradual until it reaches the maximum ratio dialed in.

Thats the ultimate guide to compression pedals. By Sweetwater on Jul 6 1999 1200 AM. The settings chosen help bring out the.

Bass guitar and vocals would sound better using a soft knee but I would use a hard knee for any kind of percussive instrument like the piano or kick drums says producer engineer and mixing artist Gus Berry. The knee is the way in which the compressor reacts to the signal. If the angle is very gentle the compressor kicks in very gently as the signal crosses the threshold and the knee is soft like the.

On the other hand a soft-knee threshold defines two limits of threshold between which two limits compression is applied gradually and above which is applied consistently. Other Basic Controls On A Compressor. With soft-knee compression the onset of gain reduction occurs gradually after the signal has exceeded the threshold producing a more musical response to some folks.

Soft Knee Compression Share this page. This will be much more noticeable. Some compressors will even allow you to control the selection of any position between the two types of knees.

Knee adjusts how gradually or abruptly compression occurs as the signal approaches the. Hard knee and soft knee is the technical way of describing the attack control that you see on a lot of compression pedals. Examples of the mix parts Soft Knee is usually most well-liked.

The soft knee causes the compression to happen gradually starting once the signal approaches the threshold and until it passes it. The threshold is the point on that curve at which the chosen ratio of compression begins to apply. The soft knee makes the compressor less noticeable.

On the other hand if you want to participate in the Loudness War then you should rather use hard knee as it allows you to squeeze out even more loudness. You can set these parameters for up to four frequency. Feed-forward VCA based CompressorLimiter has Soft-Knee Variable Ratio Attack and Release.

On A Compressor What Is Knee Record Mix Master